In the Art Room: Bobble Head Pets UPDATE!

BRACE YOURSELF FOR THE CUTE. This is just a handful of the Bobble Head Pets that my fourth graders created and each one is so stinkin' adorable! If I had any patience at all, I would have waited until the next crop of cute was unloaded from the kiln before blogging but I just couldn't wait (one being fired now has a monocle and a top hat while another has a spiked collar...I'll just have to do a follow up post to this here follow up post)! The kids loved this project...and the results from each are just precious. 

We learned some things along the way: keep the point at the top of the body very pointy as that helps the head rotate and bobble better. Glazing both the inside of the head and the top of the point also makes for a better bobble. 

These creations took us three one-hour art classes to create. On the first day, we made the body. MANY of the bodies were so thick that I just KNEW they were going to explode in the kiln...but none of them did! Stay tuned for a long overdue Art Teacherin' 101 this week on my fave clay tips and I'll share with you how I prevented explosions. 

On the second day, we made the head. With extra time and extra clay we made doggie dishes, toys, mice for our cats, you name it, they created it. On our final day, after a bisque firing, we glazed! Here's the demo video I created and used. Feel free to use in your art teacherin' adventures! 

This lesson was also shared in my book! You'll have to buy the book to see just what animal I made bobble.

You can pick up your book here...keep in mind that the release date isn't until June. A fun summer surprise in your mailbox, ha! 

All the projects in my book were created with air dry, oven bake or homemade clay...but many of them could be done with kiln fired clay, like this project! I'll be exploring all kinds of clay projects next month during my LIVE craft nights! You should join the fun, you can create with ANY clay. But I'll be exploring a variety of air dry, plaster and homemade clay...

Pick up your clay kit here and get ready to craft with me LIVE on Facebook at 8 pm CST next week! 

So, true facts: not all of the heads bobble freely. Many of them are pretty stationary. BUT...the kids are having so much fun gently rotating the heads and getting them to tilt just like a real pup or kitten. Just moving them a little totally changes the look of the sculpture!

 Many of the kids created their beloved pets. 

 We use Mayco's Stroke and Coat. I give the kids EVERY color in the rainbow because, well, who doesn't want to have a lot of options. I picked up tons of ice cube trays from the Dollar Tree and put a different color in each slot. I labeled each slot on the tray so that the kids would know what color they were using since the colors can change so drastically in the kiln. I encourage at least three coats of glaze for just the right amount of shine. We also have our dog dishes (ha!) of water and sponge for cleaning brushes. I recently had a teacher ask how I teach the kids not to mix colors. I usually do something like this: DON'T MIX THE COLORS! And that works. 

Seriously, my kids have been painting since kindergarten. They know that we always keep our paint brushes pointy by painting with just the tip; we always clean our brush in the water and dry on the sponge before changing colors. It's rare that I have kids mix colors...especially my older students. I encourage pride in artwork and I think they know that taking care of art supplies will create a beautiful masterpiece. 

And, again, I say: DON'T MIX THE COLORS! Usually one talking to and explanation as to why we don't do that does the trick. And, if all else fails, take the paint away. If you can't use the supplies correctly, so sorry, you are done for the day. 

 Rant over! Back to the cute.

As y'all know, we are having a pet shop theme for our art show. These guys are in charge of the cats and dogs. Now we just have to work on transforming the art room into a pet shop! We have some ideas cooking about how to make that happen. 

These kids have made so many 3-D works this year: bobble heads, candy hearts, sewn monsters! They are going to dominate at the art show. 

 I swear their eyes follow me around the art room!

 Have y'all done bobble heads before? What did you do differently?

Until next time! 

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In the Art Room: Clay Chameleons, Update Part 2

Y'all. When I opened the kiln this morning (which I had no right doing as that big ole lug was still flashing 600 degrees), I let out a squeal. Who snuck into the art room and put a bunch of cute-ified chameleons in my kiln?! I mean, really. Can you even handle...THIS?

 I know I can't. I'm so excited to share these with the kids next week. Their hard work sculpting and glazing paid off. Here's the video that I created to teach my sweet third graders this fun lesson:

The kids have loved this lesson! Having taught art (and clay!) for nearly 20 years, I've learned a thing or two along the way. My biggest tip for those working with kiln-fire clay: LET THE FINISHED PIECES DRY FOR LONGER THAN YOU'D EVER IMAGINE.

I was always led to believe that the reason clay exploded in the kiln (and I've had my share of 'splosions) was because of air bubbles. I call baloney on that theory. The reason there are explosions is: the clay is still WET. I allow my clay projects to dry in the kiln room which is both hot (due to the kiln) and well ventilated (as they should be) for TWO WEEKS. That's right, you heard me. Here's the deal: if there are any water molecules in the clay, as they are heated up in the kiln, they begin to move, faster and faster, until they cause an explosion. However, if you wait...every last one of those water molecules will evaporate and diminish your chance of breakage. One way to test and see if greenware (unfired clay) is ready to be fired? Touch it. If it feels damp, even slightly, it is still holding water and needs to dry.

The problem is...if your students' clay projects are thick (and some of these chameleons were very thick!) there might be water trapped within the clay project that you cannot feel with touch. My suggestion? Fire on the slowest setting possible. This will help air out the clay before ramping up to firing mode. 

In other words: When in doubt, DRY IT OUT. 

Can someone please help me off this firing soap box?! It's hot up here!

Now, when it comes to glazing, that's a whole 'nother story. Glazed pieces can be fired on the fastest setting as they have already been fired once and are not going to explode. In case you are curious, I use Cone 06 clay and glaze. 

 I don't always glaze with my students. After all, two firings is super time consuming. However, I do think that the glazing experience is important for kids to be exposed to at least once. It's truly magical. Imagine: little pieces of glass that are going to transform your dull clay project into a shining, sparkling masterpiece!

My favorite glazes are Mayco's Stroke and Coat. I love their color variety. I did order some of their Jungle Gems to add a bit of spots and sparkle to their projects...and I was a touch disappointed. I don't think I shook the bottles up enough because I don't see too much of the spotted and speckled effect. Perhaps my next crop of chameleons will be more speckled as their glaze is near the bottom of the bottle where all the glass has settled. 

 Oh! And if you follow me here...you might have seen that I received a copy of my book! 

This lesson is NOT featured in my book...which is why I can share it and the video for free with you here. Many of the project directions from last year's art show were not shared here...because I was under contract with the book publisher. Little known fact: when you are writing a book, they "own" the rights to your ideas! All that to say...all of the lessons I share in the book have not been released here. So 52 NEW art projects for you and your kiddos...that can be used with both no-kiln and kiln-fired clays! 

 ALSO...in case you didn't know, I've been hosting weekly #creatingwithcassie craft nights right here. Currently, we are felting but next month, we are exploring clay! 

If you'd like to join the fun and explore some fun new materials, pick up your clay kit here...no kiln required! 

 Now...this is just the beginning of clay themed posts as I've declared the month of May, the month of CLAY! So brace yourself...lots of clay posts ahead!

Until then!

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Exciting News: Free Clay Workshop!

I have got to be honest with y'all: I am LOVING our Wednesday night craft nights! If you aren't familiar, I've been hosting a free felting workshop over on my Facebook page each Wednesday at 8pm CST during the month of April (in fact, if you are joining in the fun tomorrow night, I'll have a list of supplies needed below). You are ALWAYS welcome to join, even if you do not have the felting kit. That was simply created with the help of Sue at Back to Back Fiber. And, if you decide you do want to join, you can still pick up your kit from Sue. All of my LIVE chats are archived both on my Facebook page and on my YouTube channel. Remember: I would LOVE to share what you create right here. Just use the hashtag #creatingwithcassie when you share your work on your preferred social media outlet. 

So now on to the exciting news: I'm going to continue the craft night fun with Clay in the month of May! I've partnered up with Activa Products to create a kit just for you and our creative evenings. Here's what your kit will include:

 A 1lbs. box of Celluclay, a 1lbs. box of ActivClay and 4" X 180" of Rigid Wrap which can all be purchased here. Knowing that we art teachers love a bargain, Activa is offering us a very special rate. I want to throw a big shout out to them for working with me! I know I've shared this before...I am not making a profit from these craft nights. I am doing them simply because I find creating, teaching and spending time with y'all so much fun. Thank you for joining me on this adventure. Remember, you do not have to make a purchase to participate in this free Clay in the month of May workshop. These are simply the supplies I will be using if you want to create along with me. You might have heard me mention both Celluclay and Rigid Wrap before. Here's a peak at some projects I've done with both materials:

This was my first experience with Celluclay and I was HOOKED after creating these vintage-inspired treat buckets!

Maybe too many episodes of Walking Dead was the inspo behind my Zombie Head Planters. 

Obviously, I'm a fan of the Halloween. This Book of Spells was big fun! 

I also introduced my second graders to Celluclay with this project. 

I shared Rigid Wrap with my fourth graders when they created these Candy Heart Sculptures. 

This is the perfect opportunity for you to explore new sculpture materials before introducing them to your students. If you are without a kiln, these materials are just the thing as they don't require kiln fire. I became very familiar with Activa Products when writing this here clay book of mine! 

My book is currently available for preorder here and slated to come out early June (I previously said mid-May but that release date has changed). In this book, I work with a variety of air dry, polymer and handmade clays. Once you are done with our 5 Wednesdays of clay exploration, you'll be ready to dive into this book and bring the fun to your art room next fall. 

As for this Wednesday, we'll be Wet Felting. So bring a zip lock bag (whatever size you have handy), a bowl of warm water, a bar or pump soap and scissors. Can't wait to create with you!

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In the Art Room: Clay Chameleons!

If you follow me on Instagram, then you've seen me over-sharing all of the clay projects that my kiddos will be creating during Clay Week. I like to go with a theme when it comes to clay as that makes the art show seem cohesive. Last year, we went with the clay theme of a 1950's Diner where all the kids created clay food. It was a big hit and a whole lot of fun. 

This year, I decided to go with a Pet Shop theme! You can actually view all of the clay videos I've created for my students right here (and feel free to use them). I add new art teacherin' videos every week so if it's something that you are interested in, you might want to subscribe.

Today, my third grade students watched this video in bite-sized pieces and were able to create their chameleon from start to finish. We did use up more than our normal hour long art class...thankfully, I have a plan time after this class and the teachers were kind enough to let me use some of their instructional time for the kids to finish. I work with some super supportive folks, y'all! Otherwise, this project would have taken us about an hour and a half.

I get a lot of questions on how I show my students my videos because they are pretty long. I don't show the video in it's entirety as that would be too much information for the kids to process. Instead, I show bite-sized portions. Then I send the kids to their seats to work. When a handful of them have finished and trickled back to the floor, then I call all of them to join us, finished or not, and we watch the next portion. For these guys that meant they learned how to make a leaf and then created it; came back to learn about how to make the body and legs of the chameleon and created it; and finally, they learned how to create the head and attach to the leaf. This keeps us up, active, busy and working the entire time. 

Have I told y'all lately that I wrote a clay book? You can scoop it up for preorder right here. When I first became an art teacher some 18 odd years ago, I'd never even taken a ceramics class. And yet...my first year teaching, clay was in my curriculum. With no kiln and a small budget, I had to create clay for my kids to use. Without much info online at the time, I scoured the public library for recipes and ideas. I learned many recipes and included them in the book. In fact, all of the projects in the book are made with no-kiln clays...but have been tested out with kiln fire clay. So it's for everyone!

Working on a book filled with 52 projects meant that I had to dream up, snap photos of and write about, well, 52 projects. Y'all, that's a lot! I learned many a thing working on that book...and I believe it has made me a better clay teacher. 

If you find clay to be intimidating as I once did, I have a surprise for you! I'm going to be offering a Crash Course in Clay here during the month of May! Follow me on Facebook and I'll keep you posted on the details. Here's a peek at how I set my tables up for clay: doggie bowls for water (from the Dollar Tree and they NEVER spill!), toothbrushes for scoring, skewers for carving, cutting and creating design, clay mats (which I have had for well over 10 years) from my friend Danielle McDanielle, aka The Clay Lady, usually lots of texture tools and sponges for wiping hands when they start to feel too dry. What do you keep on hand during clay time?

Oh! And I busted out the marker caps to make these fun eyes for the chameleons.

I'm thinking we will glaze these after firing. I hope I have some room in my budget to splurge on the glaze with the flecks of glass in it. I think that would be perfect for these little guys. I'll be sure to do a follow-up post once complete. 

I've tried many a thing when it comes to finishing clay projects: gouache, oil pastel and dip in black tempera and glaze. Which is your preferred method? 

By the way, this clay project could just as easily be done with air dry clay! You'll have to keep me posted if you give it a go. 

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In the Art Room: I WROTE A BOOK!

I know I've mentioned this before...but now I can finally make it official because IT'S FINISHED! Guyz, I WROTE A BOOK! 

I still cannot believe it. In fact, I don't think I'll actually believe it until I have a hard copy in my hands. The book is not due to come out until mid-May but it is available for preorder on Amazon, Barnes & Noble, IndieBound, and Indigo. It is so surreal to see my name pop up on these sites!

What will you find in this book? 52 CLAY PROJECTS, Y'ALL. Clay that does not require kiln fire. The purpose of this book is to give kids the opportunity to explore creating homemade clays, store-bought air dry clay, paper clay, oven baked clays...you name it, I tried it out in this book. Writing this book, I approached it from an art teacher standpoint: would my students enjoy these clay projects? If you recall my 1950's diner-themed art show last year, then you actually got a glimpse of several projects in the book. For our art show, we used kiln-fired clay which means that the projects in the book are versatile enough to be used with just about any kind of clay you have available. It's a book for those who wish to explore clay with children regardless as to whether or not one has a kiln!

So, how did writing this book come to be? It all started last November. A lovely editor at Quarry books reached out to me and simply asked me if I'd be interested in writing a book. She had seen this Sculpey creation and this paper clay pumpkin and was curious to know if I had more up my sleeve. I'm not even gonna lie: I was so flattered to be asked to write a book that I immediately agreed before discovering that I'd be dreaming up, writing about and taking step-by-step photos of 52 clay projects. 

It wasn't until last February that the paperwork was signed and I was on the hook to write a book. And that's when reality set in. True Confession: I'm a BIG TIME procrastinator. And there ain't no procrastinating when it comes to book writing. There were several deadlines throughout that I had to meet which was a good thing as it kept me working...but it was tough because I had to give up precious time to do so. I spent weekends and nearly the entire month of June in my pj's from morning til night sculpting in clay, snapping a picture, sculpting a little more and snapping another picture. That part was fun. It was the writing the steps out that was more tedious. I mean, I write all the time on this here blog but I write in a very casual tone. I had to sound all legit and professional and yet kid-friendly and such for the book. Thankfully, I was working with wonderful editors who helped tremendously.

June 30th was my final deadline. I made it...and might I add on June 29th. Whew! Snapping hundreds of photos and editing them, writing endless pages of copy and doing rewrites...it all made me seriously consider my life's choices. My husband's favorite question was, "Well, do you regret saying yes?" that answer varied from day to day during the course of the creating. But now I can say Nope! I don't regret it a bit! His next question is usually, "Would you write another book?" Well, I've not been asked...so I don't know my answer. 

Thank you so much for letting me share my exciting news with you. It's so nice to see all that hard work, long hours and pj'ed weekends become something tangible. You'll have to let me know if you get a copy and what you think! 

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